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https://w.atwiki.jp/cod4mod/pages/40.html
These are the default hot key commands for Call of Duty 4 Radiant level editing. これらは Call of Duty ４ Radiant レベル編集のためのデフォルトホットキーコマンドです。 ToggleOutlineDraw J ToggleTintDraw Shift + J CSGMerge Control + U AutoCaulk Alt + C ViewFilters F HideSelected H HideUnSelected Alt + H ShowHidden Shift + H ShowLastHidden Shift + Control + H FitBrush Shift + B AdvancedCurveEdit Y SelectionKeyValue Shift + Control + F ToggleLockPatchVertices Control + Period ToggleUnlockPatchVertices Shift + Control + Period ToggleTurnTerrainEdges Control + ¿ ShowTexturesInUse U ViewTextures T ThickenPatch Shift + Control + T AddTerrainRow Shift + Control + A ExtrudeTerrainRow Alt + O RemoveTerrainRow Shift + Control + Q SplitPatch Shift + Control + X SurfaceInspector S PatchInspector Shift + S ApplyPatchCap Shift + Control + P TolerantWeld Shift + Control + J RedisperseVertices Shift + F RedisperseRows Shift + E RedisperseCols Shift + Control + E InvertCurveTextureX Shift + Control + I InvertCurveTextureY Shift + I InvertCurve Control + I IncPatchColumn Shift + Control + Plus IncPatchRow Control + Plus DecPatchColumn Shift + Control + Subtract DecPatchRow Control + Subtract Patch TAB Tab Patch TAB Shift + Tab TogglePatchWireframes Shift + W SelectNudgeDown Alt + Down EntityColor K CameraForward Up CameraBack Down CameraLeft Left CameraRight Right Vertex Select Up Control + Up Vertex Select Down Control + Down CameraUp D CameraDown C CameraAngleUp A CameraAngleDown Z CameraStrafeRight Period CameraStrafeLeft Comma ToggleGrid 0 SetGridPointFive ~ SetGrid1 1 SetGrid2 2 SetGrid4 3 SetGrid8 4 SetGrid16 5 SetGrid32 6 SetGrid64 7 SetGrid256 8 SetGrid512 9 DragEdges E DragVertices V ViewEntityInfo N ViewConsole O CloneSelection Space DeleteSelection Backspace UnSelectSelection Escape InvertSelection I CenterView End ZoomOut Insert ZoomIn Delete SelectPrev Shift + Comma SelectNext Shift + Period UpFloor PageUp DownFloor PageDown LinkSelectionToggle Shift + O ToggleClipper X ToggleCrosshairs Shift + X ToggleTexMoveLock Shift + T ToggleTexRotateLock Shift + R ToggleLightmapLock RemoveColorNode Control + R ToggleLayers L Preferences P ToggleCamera Shift + Control + C ToggleView Shift + Control + V DropVertices Shift + Alt + Control + D RotateZ Shift + D ToggleZ Shift + Control + Z SameTargetname B SameTarget Control + B ConnectSelection W SetViewToEntity F6 SplaySelection Alt + W SelectConnectedEntities Alt + Control + E SelectTargettedEntities Control + E PatchMatrixTranspose Shift + Control + M MakeDetail Shift + Control + D MakeWeaponClip Shift + Control + W MakeNonColliding Shift + Control + Minus MakeSplitCoplanarGeo MakeDontSplitCoplanarGeo MapInfo M NextLeakSpot Shift + Control + K PrevLeakSpot Shift + Control + L FileOpen Control + O FileSave Control + S Quit NextView Control + Tab ClipSelected Return SplitSelected Shift + Return FlipClip Control + Return MouseRotate R Copy Control + C Paste Control + V Undo Control + Z Redo Control + Y ZZoomOut Control + Insert ZZoomIn Control + Delete TexDecrement Shift + Subtract TexIncrement Shift + Plus TextureFit Control + F TextureFitAll Alt + Control + F TexRotateClock Control + Left TexRotateCounter Control + Right TexShiftLeft Shift + Left TexShiftRight Shift + Right TexShiftUp Shift + Up TexShiftDown Shift + Down TexLayerCycle Shift + L TexLayerMaterial TexLayerLightmap GridDown [ GridUp ] TexScaleLeft Control + Left TexScaleRight Control + Right LightShiftUp Alt + ] LightShiftDown Alt + [ CyclinderHeightUp Alt + Period CyclinderHeightDown Alt + Comma AssociateEntities Shift + G VehicleGroup Shift + V DynEntities Shift + Y DisassociateEntities Shift + Control + G SelectedAssociated Control + X OverBrightShiftUp Shift + ] OverBrightShiftDown Shift + [ CubicClipZoomOut Control + ] CubicClipZoomIn Control + [ ToggleCubicClip Control + \ MoveSelectionDOWN Subtract MoveSelectionUP Plus LinkSelected Alt + Q SelectNudgeLeft Alt + Left GetDistance Alt + F1 AutoEdgeTurn Alt + F2 SelectNudgeRight Alt + Right SelectNudgeUp Alt + Up CycleCapTexturePatch Shift + Control + N NaturalizePatch Control + N ToggleSnapToGrid Alt + Control + G SelectSnapPointsToGrid Control + G ShowAllTextures Control + A SelectAllOfType Shift + A SelectAllOfTypeRecurse Alt + A CapCurrentCurve Shift + C MakeStructural Shift + Control + S Center2DOnCamera Alt + X EnterPrefab Alt + PageDown LeavePrefab Alt + PageUp LightPreviewToggle F8 LightPreviewStart Shift + F8 LightPreviewStop Shift + Alt + F8 LightPreviewClear Alt + F8 LightPreviewSun Control + F8 LightPreviewRegions Shift + Control + F8 MaxLightIntensity Alt + Control + F8 VertEdit G RefreshTextures F5 TogglePreviewModels HideByClassname Shift + Alt + Control + H ToggleLayeredMaterialWnd F4 SaveLayeredMaterials (Original "http //www.infinityward.com/wiki/index.php?title=Radiant_Command_List") 名前 すべて読む
https://w.atwiki.jp/mainichi-matome/pages/2216.html
BloggerCultures Traditions 関連ページ Blogger https //www.blogger.com/ Cultures Traditions http //cultrad.blogspot.com/ Cultures and Traditions have influence a lot of things people do. Some can be construction, others destructive. Weird or reasonable. ほとんどが"Asian Sex Gazzete"からの転載。題名も"Asian Sex Gazzete"のまま。 Japanese Authority s Clean up Hits Sexual Cabaret Club http //cultrad.blogspot.com/2008/02/japanese-authoritys-clean-up-hits.html "Cops pull plug on cabaret club serving pee on the rocks, plates of pubes" Japanese Authorities Okays The Sexual Abuse Of 18-20 Year Olds http //cultrad.blogspot.com/2008/02/japanese-authorities-okays-sexual-abuse.html "Aged 18-20? Been sexually abused by a parent?" Retired Porn Star Ai Iijima Cant Live Without Sex http //cultrad.blogspot.com/2007/09/retired-porn-star-ai-iijima-cant-live.html "Sex camel Ai Iijima whines about dry spell despite cosy link with Ni-Chaneru boss" Stressed Japanese Teachers Finding Solace In Coworkers, Parents and Even Students http //cultrad.blogspot.com/2007/05/stressed-japanese-teachers-finding.html "Stressed teachers indulging their wild sides with coworkers, parents -- and students" Gay Politician Ken Togo Makes Appeal On Politics, Freedom, And Sex http //cultrad.blogspot.com/2007/03/gay-politician-ken-togo-makes-appeal-on.html "Original Hard Gay Ken Togo speaks on politics, freedom, and holding cocks" Why Japanese Guys Wont Give A Head http //cultrad.blogspot.com/2007/03/why-japanese-guys-wont-give-head.html Horny housewives heading off to Bangkok to grab a slice of the Thai life http //cultrad.blogspot.com/2007/02/horny-housewives-heading-off-to.html Japan Boot camp for hookers http //cultrad.blogspot.com/2006/11/japan-boot-camp-for-hookers.html "Three-week boot camp whips humped-out hookers back into shape" Japan s oldest profession sees slide in work ethic http //cultrad.blogspot.com/2006/11/japans-oldest-profession-sees-slide-in.html "World s oldest profession sees slide in work ethic" Deadly iku iku byo reaches a climax in Japan http //cultrad.blogspot.com/2006/11/deadly-iku-iku-byo-reaches-climax-in.html Japanese Pageant winner a sex star http //cultrad.blogspot.com/2006/11/japanese-pageant-winner-sex-star.html "Hisako Shirata sheds sexy celluloid stardom for beauty queen future" Japan Surefire ways to lure the ladies http //cultrad.blogspot.com/2006/11/japan-surefire-ways-to-lure-ladies.html "Surefire ways to lure the ladies" DVD s teaching raunchy English snapped up in Japan http //cultrad.blogspot.com/2006/10/dvds-teaching-raunchy-english-snapped.html "English teaching DVDs get low down and dirty" Japanese women share the trials of a life without climax http //cultrad.blogspot.com/2006/10/japanese-women-share-trials-of-life.html "Four lusty lasses share the trials of a life without climax" Slutty schoolgirls and self-circumcisions All in a day s work for Japanese urologists http //cultrad.blogspot.com/2006/09/slutty-schoolgirls-and-self.html "Slutty schoolgirls and self-circumcisions" 関連ページ Aged 18-20? Been sexually abused by a parent? Blogger Cops pull plug on cabaret club serving pee on the rocks, plates of pubes Deadly 'iku iku byo' reaches a climax English teaching DVDs get low down and dirty Hisako Shirata sheds sexy celluloid stardom for beauty queen future Horny housewives heading off to Bangkok to grab a slice of the Thai life Slutty schoolgirls and self-circumcisions Stressed teachers indulging their wild sides with coworkers, parents -- and
https://w.atwiki.jp/touhoukashi/pages/2933.html
【登録タグ LIMITED SINGLES season1 No Way -Gravity- Stack う 二色蓮花蝶 ～ Red and White 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/glzon/pages/41.html
商品IDを指定して商品の情報を取得。 リクエストパラメータとか詳しくは開発者ガイド（ItemLookup）（バージョン2010-09-01）参照。 PEAR Services_Amazon ItemIdを複数指定する場合は、配列にする。 $itemId = array( 4569675204 , 4048684116 , 4899772750 ); メソッドはItemLookup（そのまんま）。 $result = $amazon- ItemLookup($itemId, $options); 第一引数 ItemId（複数の場合は配列で） 第二引数 リクエストパラメータ（配列で） ResponseGroupはカンマで区切って複数指定できる。 $options = array( AssociateTag = PAAPI_ACCTAG , ResponseGroup = Medium,OfferSummary , Condition = All , IdType = ASIN ); 例） ?php require_once( Services/Amazon.php ); define( PAAPI_ACCTAG , ほにゃらら ); define( PAAPI_ACCKEY , ほげほげ ); define( PAAPI_SECKEY , ふがふが ); $amazon = new Services_Amazon(PAAPI_ACCKEY, PAAPI_SECKEY); $amazon- setLocale( JP ); $amazon- setVersion( 2011-08-01 ); $itemId = array( 4569675204 , 4048684116 , 4899772750 ); $options = array( AssociateTag = PAAPI_ACCTAG , ResponseGroup = Medium , Condition = All , IdType = ASIN ); $result = $amazon- ItemLookup($itemId, $options); if (PEAR isError($result)) { echo リクエストの送信に失敗してる ; } else if (!isset($result[ Request ][ IsValid ])) { echo なんかおかしい ; exit(); } else if (strcmp($result[ Request ][ IsValid ], True ) != 0) { echo Amazonさんから何らかのエラーをくらった ; } print_r($result); ? レスポンス例） Array ( [Request] = Array ( [IsValid] = True [ItemLookupRequest] = Array ( [Condition] = All [IdType] = ASIN [ItemId] = Array ( [0] = 4569675204 [1] = 4899772750 [2] = 4048684116 ) [ResponseGroup] = Array ( [0] = Medium ) ) ) [Item] = Array ( [0] = Array ( [ASIN] = 4569675204 [DetailPageURL] = http //www.amazon.co.jp/%E3%82%B9%E3%83%86%E3%82%A3%E3%83%BC%E3%83%96%E3%83%BB%E3%82%B8%E3%83%A7%E3%83%96%E3%82%BA%E5%90%8D%E8%AA%9E%E9%8C%B2-PHP%E6%96%87%E5%BA%AB-%E6%A1%91%E5%8E%9F-%E6%99%83%E5%BC%A5/dp/4569675204%3FSubscriptionId%3DAKIAIXQXZGDVGMGTXFVQ%26tag%3Dctrhythm-22%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D4569675204 [ItemLinks] = Array ( [ItemLink] = Array ( [0] = Array ( [Description] = Add To Wishlist [URL] = http //www.amazon.co.jp/gp/registry/wishlist/add-item.html%3Fasin.0%3D4569675204%26SubscriptionId%3DAKIAIXQXZGDVGMGTXFVQ%26tag%3Dctrhythm-22%26linkCode%3Dxm2%26camp%3D2025%26creative%3D5143%26creativeASIN%3D4569675204 ) [1] = Array ( [Description] = Tell A Friend [URL] = http //www.amazon.co.jp/gp/pdp/taf/4569675204%3FSubscriptionId%3DAKIAIXQXZGDVGMGTXFVQ%26tag%3Dctrhythm-22%26linkCode%3Dxm2%26camp%3D2025%26creative%3D5143%26creativeASIN%3D4569675204 ) [2] = Array ( [Description] = All Customer Reviews [URL] = http //www.amazon.co.jp/review/product/4569675204%3FSubscriptionId%3DAKIAIXQXZGDVGMGTXFVQ%26tag%3Dctrhythm-22%26linkCode%3Dxm2%26camp%3D2025%26creative%3D5143%26creativeASIN%3D4569675204 ) [3] = Array ( [Description] = All Offers [URL] = http //www.amazon.co.jp/gp/offer-listing/4569675204%3FSubscriptionId%3DAKIAIXQXZGDVGMGTXFVQ%26tag%3Dctrhythm-22%26linkCode%3Dxm2%26camp%3D2025%26creative%3D5143%26creativeASIN%3D4569675204 ) ) ) [SalesRank] = 30 [SmallImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL75_.jpg [Height] = Array ( [Units] = pixels [_content] = 75 ) [Width] = Array ( [Units] = pixels [_content] = 52 ) ) [MediumImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL160_.jpg [Height] = Array ( [Units] = pixels [_content] = 160 ) [Width] = Array ( [Units] = pixels [_content] = 111 ) ) [LargeImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL500_.jpg [Height] = Array ( [Units] = pixels [_content] = 500 ) [Width] = Array ( [Units] = pixels [_content] = 347 ) ) [ImageSets] = Array ( [ImageSet] = Array ( [0] = Array ( [Category] = primary [SwatchImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL30_.jpg [Height] = Array ( [Units] = pixels [_content] = 30 ) [Width] = Array ( [Units] = pixels [_content] = 21 ) ) [SmallImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL75_.jpg [Height] = Array ( [Units] = pixels [_content] = 75 ) [Width] = Array ( [Units] = pixels [_content] = 52 ) ) [ThumbnailImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL75_.jpg [Height] = Array ( [Units] = pixels [_content] = 75 ) [Width] = Array ( [Units] = pixels [_content] = 52 ) ) [TinyImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL110_.jpg [Height] = Array ( [Units] = pixels [_content] = 110 ) [Width] = Array ( [Units] = pixels [_content] = 76 ) ) [MediumImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL160_.jpg [Height] = Array ( [Units] = pixels [_content] = 160 ) [Width] = Array ( [Units] = pixels [_content] = 111 ) ) [LargeImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/41zJJJIo-nL._SL500_.jpg [Height] = Array ( [Units] = pixels [_content] = 500 ) [Width] = Array ( [Units] = pixels [_content] = 347 ) ) ) [1] = Array ( [Category] = variant [SwatchImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/51Vgn6NZyJL._SL30_.jpg [Height] = Array ( [Units] = pixels [_content] = 30 ) [Width] = Array ( [Units] = pixels [_content] = 21 ) ) [SmallImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/51Vgn6NZyJL._SL75_.jpg [Height] = Array ( [Units] = pixels [_content] = 75 ) [Width] = Array ( [Units] = pixels [_content] = 53 ) ) [ThumbnailImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/51Vgn6NZyJL._SL75_.jpg [Height] = Array ( [Units] = pixels [_content] = 75 ) [Width] = Array ( [Units] = pixels [_content] = 53 ) ) [TinyImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/51Vgn6NZyJL._SL110_.jpg [Height] = Array ( [Units] = pixels [_content] = 110 ) [Width] = Array ( [Units] = pixels [_content] = 78 ) ) [MediumImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/51Vgn6NZyJL._SL160_.jpg [Height] = Array ( [Units] = pixels [_content] = 160 ) [Width] = Array ( [Units] = pixels [_content] = 113 ) ) [LargeImage] = Array ( [URL] = http //ecx.images-amazon.com/images/I/51Vgn6NZyJL._SL500_.jpg [Height] = Array ( [Units] = pixels [_content] = 500 ) [Width] = Array ( [Units] = pixels [_content] = 353 ) ) ) ) ) [ItemAttributes] = Array ( [Author] = Array ( [0] = 桑原 晃弥 ) [Binding] = 文庫 [Creator] = Array ( [0] = Array ( [Role] = 著 [_content] = 桑原 晃弥 ) ) [EAN] = 9784569675206 [EANList] = Array ( [EANListElement] = 9784569675206 ) [IsAdultProduct] = 0 [ISBN] = 4569675204 [Label] = PHP研究所 [ListPrice] = Array ( [Amount] = 580 [CurrencyCode] = JPY [FormattedPrice] = ￥ 580 ) [Manufacturer] = PHP研究所 [NumberOfPages] = 221 [PackageDimensions] = Array ( [Height] = Array ( [Units] = hundredths-inches [_content] = 55 ) [Length] = Array ( [Units] = hundredths-inches [_content] = 583 ) [Weight] = Array ( [Units] = hundredths-pounds [_content] = 26 ) [Width] = Array ( [Units] = hundredths-inches [_content] = 417 ) ) [PackageQuantity] = 1 [ProductGroup] = Book [ProductTypeName] = ABIS_BOOK [PublicationDate] = 2010-08-02 [Publisher] = PHP研究所 [SKU] = 508823 [Studio] = PHP研究所 [Title] = スティーブ・ジョブズ名語録 (PHP文庫) ) [OfferSummary] = Array ( [LowestNewPrice] = Array ( [Amount] = 580 [CurrencyCode] = JPY [FormattedPrice] = ￥ 580 ) [LowestUsedPrice] = Array ( [Amount] = 231 [CurrencyCode] = JPY [FormattedPrice] = ￥ 231 ) [LowestCollectiblePrice] = Array ( [Amount] = 650 [CurrencyCode] = JPY [FormattedPrice] = ￥ 650 ) [TotalNew] = 2 [TotalUsed] = 28 [TotalCollectible] = 2 [TotalRefurbished] = 0 ) ) [1] = Array ( [ASIN] = 4899772750 ～以下略...～ ) [2] = Array ( [ASIN] = 4048684116 ～以下略...～ ) ) ) ドツボにはまった件 ItemLookupに限らず、Services_Amazonのレスポンスのほとんど（ひょっとして全て？）について。 レスポンスの[Item]の要素が、１つの場合と複数の場合とで連想配列の構造が若干変わる！！ 例１）[Item]の要素が複数の場合 [Item] = Array ( [0] = Array ( ～ひとつめの要素～ ) [1] = Array ( ～ふたつめの要素～ ) [2] = Array ( ～みっつめの要素～ ) ) 例２）[Item]の要素がひとつの場合 [Item] = Array ( ～ひとつめの要素～ ) って感じ。
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Lecture for intermediate Lecture for intermediate Lecture for those who intend to become intermediate Lecture for those who intend to become intermediate Introduction As you, designers who are familiar to the development of OKEs some degree, may know that clear goals are not exist in this game. You can play it in any direction, and it is free that how far you elaborate. It can be thought that, the goal setting is also a part of the contents of this game already. That is, as you become more familiar, how to enjoy and how to beat becomes more different from each other. For example, there are some people pursue every day how well avoid mines. But next to it, there are some people do everything in their power to assault by destroying all mines. Descriptions satisfy both at the same time is extremely difficult. As you become more familiar, as it becomes finer contents, your own strategy is going to be made. For these reasons, it is difficult to determine what to lecture for intermediate people or what is the definition of intermediate in the first place. So first, for those who intend to become intermediate, I entered from the description of the timing and execution speed of the program that are essential knowledge for creating large programs. For the reaction rate of OKE and scale of the program A CPU that you select in Hardware has parameters of "storage capacity", "execution speed" (and weight). "Execution speed" represents the execution speed of the program and the unit c/s means "(the number of executing) chips per second". The highest execution speed of CPU is 240c/s; you can execute 240 actions or decisions per second. Looks ridiculously large numbers at first glance, but is not really so much. Let s take a closer look. In this game, various judgment of combat takes place on a frame-by-frame basis. Frame is a still image that makes up a video. When you choose "frame advance" of the system menu in combat you can check the status of frame-by-frame. This game is 30fps, 30 pictures will be displayed per second. Therefore, if the CPU is 240c/s, you execute 240 chips per one second (= 30 frames), 8 chips per frame (= 1/30 sec). To pause during the battle actually, you can check the number of executing chips that appears bright. This number will significantly affect the "reaction rate of OKE". OKE runs all the actions as instructed in chips read in that time. Even though you made an excellent program, not only it becomes waste unless it is done when it is needed, but also it may cause trouble when it is executed with unnecessary timing. So let s look at an avoidance decision. There is a branch of “whether there is a bullet around the body” at the beginning of the avoidance decision, perform the avoidance maneuver If this were yes, go to the next process if it was no. What is needed in this case is that the first branch is executed when there is a bullet in the vicinity of the body. For example, if you set the range of around the body radius 100m, it is best to branch to avoidance decision with a margin of distance of 100m. But if the code is longer, for example, what happens if a program executes about 40 chips until return at earliest? Even with the fastest CPU, it takes 5 frames or more to go around once. If there is only once decision per go-around, avoidance maneuver is performed 5 or more frames late when a bullet comes at the worst timing. 5 frames = 5/30 of a second, it is about 0.17 seconds. During this time, AP ammunition flies about 50m; beam and rail gun flies about 80m. That is, then you will get a direct hit with no reaction if it was shot from the distance. Even though you perform reaction, if not even 30m away at that time, it is too late to act. Leaving aside one shot of beam gun, in case of rail gun, even a hit is directly linked to defeat frequently. The avoidance decision was given as an example here, but I can say the same thing to the decision of all of course. As it become a larger-scale program, more complex assessment of the situation and actions can be performed by OKEs but the reaction rate will reliably drop instead. Stack of subtle reduction of reaction rate affect more than a little on combat result. If you create a large program without thinking about the reaction rate, most will weaken comprehensively than small and medium-sized programs. There are mainly two know-hows to maintain the reaction rate when you building a large program, utilizing subroutine and utilizing loop. Utilize subroutine In the CPU with a maximum storage capacity, there are two areas that can be form subroutines of 7× 7 size on the right side. It is possible to run the subroutine from the chips of the “SUB 1” “SUB 2” placed in the main program of the left side. When the executed subroutine is completed, the process proceeds to the next of “SUB” chip which was placed in the main routine. By placing regularly this "SUB" chips in the main routine, it becomes possible to execute programs implemented into the subroutine several times until go around a main routine. For example, implement avoidance decision into a subroutine, when you call the subroutine whenever the main routine proceeds about 10 chips, reaction rate is significantly improved because it began to determine once per about two frames whether it is necessary to avoid. It should be noted that, of course main program is stopped at the place of "SUB" chip while executing subroutine. If there is a long program that is always executed in the subroutine, the rotation of the main program will be dull depending on the number of calls. Although rate of behavior that implemented into the subroutine improves, all other actions are delayed slightly. Therefore, you must be sure to execute subroutines only when necessary. To give avoidance as an example, if the OKE is quick moving or jumping already, it is not needed to execute subroutine. By increasing the rotation speed of the main routine even slightly by reducing unnecessary processing, let s improve the rate of each operation. Utilize loop To tell the truth first, loop may cause a fatal bug in high probability if you are not familiar. What is the loop, about the risk and the usefulness of the loop, I describe a simple example together. Please see the image below. This is avoidance decision of the program that is described in "Lecture for beginners", introduced the missile countermeasure. Missile detection is added before scanning for a high-speed flying object. It is built with the assumption that the behavior " Continue to lie down when a missile is detected to 100m range, then jump to avoid after it approach to 20m" . As long as the missile does not come within 20m, it will continue to run the operation of lie down repeatedly. This portion that is run repeatedly, this is the loop. By looping temporarily here, at the moment the missile enters the 20m range, you will be able to perform reaction immediately. To execute the process that you want to run on certain situations quickly, or in order to run an action timely at the moment the situation has changed, loop processing is quite useful. Now tested the program of the sample image, then it was confirmed that it is possible to avoid opponent’s missile on a one-to-one. So I organized a three-machine team triumphantly, and fought with a team that has missiles, then, OMG! There is an OKE that continues to lie down and does not move at all! Of course playing possum like that definitely not effective to OKEs, they were wiped out within a numerical disadvantage. What on earth was the problem? This sample is the form of, "Detected a missile coming towards in the 100m distance " → "loop until a missile is detected in the 20m range" The problem is that, in the first place, it has formed a loop on the assumption that "missile coming towards" is reach to the location of the OKE reliably. The missile coming towards is aimed at the OKE really? Or there is not an obstacle before it reaches? In such a variety of reasons, if the missile did not come in the 20m range, you will not be able to get out of the loop. In this case, you can solve the problem by modifying like the image below. By only one shifting of the ahead of an arrow, you will leave the loop if the missile does not come to 20m range. In the case also maintaining a bidirectional loop, you can resolve the problem as the image below. When you specify the range, you can be outside the range around your OKE by up and down key while holding down R button. By utilizing this, form a loop of “Continue to lie down if there are one or more missiles between 20m and 100m, proceed to avoidance decision when there are no missiles”. In this way, you can perform jump by avoidance decision when the missile is coming within 20m. In addition, even though the missile towards different direction or disappear, loop is always released. (There are waste and problem still in this example, I set it aside for the time being) It was long, but in short, it is that want you to understand firmly the risk and benefits of loop processing. Because bugs of this kind occur frequently, let s repeat behavior test and thoroughly verify when introducing a loop. If you will master successfully, quick reactions become possible in limited situations and that slight differences lead to great results. [Summary] When building a large program, needs attention to the execution timing of behaviors that require quick responses. The more complex and courteous programs, the more reduced the reaction rate is. Beware treatment of unnecessary processes in many cases. Consider the timing that should be executed and the need for each decision. For example, execute a long thinking process during operation that cannot be canceled, etc. Subroutine and loop are useful, but you should utilize it after a solid understanding of its risk. If the subroutine that will be called each time is long, the main program will not go around quickly. Wrong release condition of the loop leads to defeat very likely. [Supplemental Commentary loop examples] Although I gave the missile countermeasure loop as a reference, in addition, describe an example of a relatively safe loop to be able to make easy.Conducting enter and exit of the loop in accordance with the each state of OKE, it will be safety and quick loop process. For example, because it will not be able to perform the most operations when the OKE is struck and overturning, there is a way to check the situation in the dedicated loop and determine whether activate options or not, take evasive action to avoid additional attack immediately after the state recovered. In opposite, if the target is struck and overturning, it might be interesting to enter the loop for pursuit and additional attack. Because the state recovers automatically, it will be expected a certain effect without causing an infinite loop. Narrow down the processes There are many processes that you want to monitor situation changes constantly such as Scan for Projectiles, Activate Option, and process during overturning, etc. You can easily monitor such processes constantly by putting in places to pass frequently (Top of main and top of sub used frequently). However, in other words, would be referred to as "regardless of need or not, have repeated frequently the same process ", it is a waste of processing power. This will cause delaying the response. For example, in the case of Self-Cooling System of options, you do not have to monitor the amount of heat of body constantly in many cases. Mostly the purpose of starting the cooling is either, prevent thermal damage when it is struck or increase the frequency of fire. If the purpose of preventing thermal damage, it is only necessary to assess once when entering or exiting the process of when be struck or avoiding. If you increase the frequency of fire, it is only necessary to assess when it refrain from attack due to the heat. In this way, it is possible to improve the throughput performance if you stop constantly monitor the processes being monitored constantly. However, by stopping the constant monitoring, it is possible that the case that cannot be monitored occurs. In the case of cooling system, if you assess only when entering or exiting the process of when be struck or avoiding, there is likely to be roasted by "beam from close range (undaunted, cannot detect by Scan for Projectiles)" or "heat generated by the flames of napalm (undaunted, are not projectiles )". Although you should assess elsewhere to avoid this, the mounting area increases in this instance, and eventually you would waste the processing power if you assess too much. It is necessary to narrow down and pinpoint the necessary timing of decision, or if you do not narrow, must be determined after having analyzed trade-off among the mounting area, effect and risk when stopped constant monitoring.
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https://w.atwiki.jp/touhoukashi/pages/3137.html
【登録タグ D anagram bloom きゃろ 幽霊楽団 ～ Phantom Ensemble 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; 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https://w.atwiki.jp/glorantha_gtsa/pages/13.html
編集//タグ 目次 大見出し page 翻訳状況 Credits Contents 1 原文のみ Welcome to Glorantha 2-14 自動翻訳 The Two Empires 15-31 自動翻訳 Major Cultures 32-64 自動翻訳 Major Races 65-81 自動翻訳 World Gazetter 82-124 自動翻訳 Campaign Setting Safelster, Cities of Intrigue 125-157 未掲載 Index 158-160 未掲載 見出し ※翻訳の済／未については2008/01/14時点のものです。リアルタイムにアップデートしているわけではないので注意。 ページ 原語 訳語 済 未 002 *WELCOME TO GLORANTHA *.グローランサへようこそ 1 3 002 **Myth and Adventure **.神話と冒険 1 21 003 ***Gloranthan Themes ***.グローランサのテーマ 11 0 003 **The World **.世界 16 0 003 ***Geography ***.地理 13 0 004 ***Calendar ***.カレンダー 11 0 004 **Cultures and Peoples **.文化と民族 5 0 004 ***The Old Ways ***.古き流儀 3 0 004 ****Orlanthi, Worshippers of the Storm Tribe ****.オーランス人、嵐の部族の信者 13 0 005 ****Pelorians, Worshippers of the Sky Gods ****.ペローリア人、天空の神々の信者 13 0 005 ***New Empires ***.新しい帝国 4 0 005 ****God Learners ****.神知者 14 0 006 ****Wyrmfriends ****.ワームの友邦 13 0 006 ****Dragonewts ****.ドラゴニュート 8 0 007 ***Kraloreli ***.クラロレラ人 7 0 007 ***Teshnans ***.テシュノス人 8 0 007 ***Vithelans ***.ヴィゼラ人 6 0 007 ***Nomads of the Waste ***.大荒野の遊牧民 5 0 007 ***Pamaltelans ***.パマールテラ人 3 0 007 **The Inhuman Races **.非人間種族 3 0 007 ***Aldryami (Elfs) ***.アルドリアミ（エルフ） 9 0 007 ***Chaos Creatures ***.混沌の生物 4 0 008 ***Hsunchen (Beast Men) ***.スンチェン（獣人） 6 0 008 ***Mostali (Dwarfs) ***.モスタリ (ドワーフ) 5 0 008 ***Timinits (Insect Men) ***.ティミニット(昆虫人) 6 0 008 ***Uz (Trolls) ***.ウズ（トロウル） 9 0 008 **Gods and Heroes **.神々と英雄 5 0 008 ***Runes (Common Magic) ***.ルーン(共通魔術） 6 0 008 ***Folk Magic ***.民族魔術 6 0 009 ***Higher Magic ***より高度な魔術 8 1 009 ****Divine Magic ****.神性魔術 8 0 009 ****Spirit Magic ****.精霊魔術 12 0 009 ****Sorcery (Book Magic) ****.魔導（書籍魔術） 7 0 009 ****Mystic Magic ****.悟法魔術 7 0 010 ***The Otherworlds ***.異界 1 20 011 ***HeroQuesting ***ヒーロークエスト 0 28 011 **History in a Nutshell **簡易年表 0 4 012 ***Prehistory (The God Time) ***先史（神の時代） 0 19 012 ***The First Age Recovery and Catastrophe ***第一期：リカバリーとカタストロフィー 1 42 014 ***Current Events Year 908 ***現在のできごと：９０８年 0 2 014 ****The Two-Year Winter ****.２年の冬 1 9 014 ****Dara Happa Stirs ****ダラ・ハッパは身動きします 0 6 014 ****Assault on the Clanking City ****.刀鳴りの都への襲撃 1 4 014 ****Dread Omens on the Sea **** 海の上に前兆を恐れてください 0 6 015 *THE TWO EMPIRES *.２つの帝国 1 2 015 **The God Learners **.神知者 1 12 015 ***A Short History of the Empire *** 帝国の短い歴史 0 83 018 ***What God Learners Do ***神知者は何をするのか 0 14 019 ****Faith and Magic A Conflict of Interest ****信頼と魔術：利害の衝突 0 23 020 ****Looting the World of Myth ****.神話世界の略奪 1 24 020 ***Politics ***.政治 1 27 022 ***Commerce ***貿易 12 1 022 ***War ***戦争 10 1 023 ***Notables ***.名士 1 36 024 **Empire of Wyrm’s Friends **ワームの友人たちの帝国 0 25 025 ***What Wyrmfriends Know ***ワームの友は何を知っているのか 0 25 026 ***A Short History of the EWF ***Ａショート EWF の歴史 0 40 027 ***Magic ***.魔術 1 30 028 ****Building the Dragon ****ドラゴンを作る 0 8 028 ****Dragon Secrets ****ドラゴン秘密 0 8 028 ***Politics ***政治 0 21 029 ***Commerce ***.貿易 1 15 029 ***War ***.戦争 1 17 030 ***Notables ***.名士 1 25 031 ****Enemies of the EWF ****.EWFの敵 1 21 032 *MAJOR CULTURES *.主要な文化 1 8 032 **Kraloreli **.クラロレラ人 7 0 032 ***My Myths ***.私の神話 1 3 032 ****Wild Man ****乱暴な男 0 13 033 ****Aptanance the Sage ****.”賢者”アプタネイス 4 14 033 ****Dragons ****.ドラゴン 1 8 033 ****The Mystic Gods ****法士神々 0 9 033 ****Foreign Monsters Invade ****外国のモンスターの侵入 0 32 034 ***My History ***私の歴史 0 40 035 ***My Life ***.私の生活 1 24 036 ***My Magic ***私の魔術 0 8 036 ***Why I Adventure ***なぜ私は冒険するのか 0 4 036 **Orlanthi **オーランス人 0 11 036 ***My Myths ***私の神話 0 80 038 ***My History ***私の歴史 2 21 039 ***My Life ***私の人生 0 85 041 ***My Magic ***私の魔術 0 18 042 ***Why I Adventure ***なぜ私は冒険するのか 0 6 042 **Malkioni **マルキオンの 0 8 042 ***My Myths ***私の神話 0 2 042 ****The First Action Creation ****最初の行動：創造 0 15 042 ****The Second Action Manifestation and Perception ****２番目の行動：表明と認識 0 7 042 ****The Third Action Multiplication and Identification ****３番目の行動：乗算と身元確認 0 19 043 ****The Fourth Action Duplication and Preservation ****４番目の行動：複製と保存 0 23 044 ****The Fifth Action Era Decay and Doom ****５番目の行動時代：腐敗と宿命 0 43 044 ***My History ***私の歴史 0 5 045 ****Prince Hrestol ****フレストル王子 0 16 045 ****The Sunstop, Gbaji and Arkat ****太陽の静止、グバージとアーカット 0 8 045 ****The Abiding Book ****久遠の書(不変の書) 0 19 046 ****Return to Rightness ****「正道への回帰」 0 6 046 ***My Life ***私の生涯の書 0 48 048 ***My Magic ***私の魔術 0 11 048 **Nomads of the Waste **大荒野の遊牧民 0 4 048 ***My Myths ***私の神話 0 21 049 ***My History ***私の歴史 0 56 050 ***My Life ***私の生活 0 57 051 ***Why I Adventure ***なぜ私は冒険するのか 0 8 051 **Pamaltelan **パマールテラ人 0 8 051 ***My Myths ***私の神話 0 74 052 ***My History ***私の歴史 0 14 053 ***My Life ***私の生活 0 5 053 ****The Arbennan ****アーベナン語 0 13 054 ****The Doraddi ****ドラド人 0 13 054 ****The Tarint ****タリエン語 0 12 054 ***My Magic ***私の魔術 0 7 054 ***Why I Adventure ***なぜ私は冒険するのか 0 7 055 **Pelorians **ペローリア人 0 10 055 ***My Myths ***私の神話 0 55 056 ***My History ***私の歴史 0 23 056 ***My Life ***私の生活 0 34 058 ***My Magic ***私の魔術 0 4 058 ***Why I Adventure ***なぜ私は冒険するのか 0 10 058 **Teshnan **テシュノスの 0 6 059 ***My Myths ***私の神話 0 62 060 ***My History ***私の歴史 0 18 061 ***My Life ***私の生活 0 6 061 ***My Magic ***私の魔術 0 3 061 ***Why I Adventure ***なぜ私は冒険するのか 0 9 062 **Vithelan **ヴィゼラ 0 9 062 ***My Myths ***私の神話 0 50 063 ***My History ***私の歴史 0 49 064 ***My Life ***私の生涯の書 0 7 064 ***My Magic ***私の魔術 0 11 064 ***Why I Adventure ***なぜ私は冒険するのか 0 3 065 *MAJOR RACES *.主要な種族 3 0 065 **Aldryami (Elfs) **.アルドリアミ（エルフ） 5 0 065 ***My Myths ***.私の神話 8 31 066 ***My History ***私の歴史 0 32 066 ***My Life ***私の生活 0 17 067 ***My Magic ***私の魔術 0 3 067 ***Why I Adventure ***なぜ私は冒険するのか 0 9 067 **Dragonewts **ドラゴニュート 0 6 067 ***My Myths ***私の神話 0 49 069 ***My History ***私の歴史 0 53 070 ***My Magic ***私の魔術 0 7 070 ***Why I Adventure ***なぜ私は冒険するのか 0 10 070 **Mostali (Dwarfs) **モスタリ 0 7 071 ***My Myths ***私の神話 0 14 071 ****Mostali Origins ****モスタリの起源 0 16 071 ****The Spike ****スパイク 0 10 071 ****The Breaking of the World Machine ****世界機械の破壊 0 14 071 ****Mostal Dies ****モスタルの死 0 11 072 ****Iron, Clay and Diamond ****鉄、クレイとダイヤモンド 0 13 072 ****Return from Chaos ****混沌からの回復 0 14 072 ***My History ***私の歴史 0 35 073 ***My Magic ***私の魔術 0 5 073 ***Why I Adventure ***なぜ私は冒険するのか 0 5 074 **Timinits (Insect Men) **ティミニット 0 14 074 ***My Myths ***私の神話 0 23 075 ***My History ***私の歴史 0 57 077 ***My Magic ***私の魔術 0 9 077 ***Why I Adventure ***なぜ私は冒険するのか 0 2 078 **Uz (Trolls) **.ウズ（トロウル） 33 0 078 ***My Myths ***.わしの神話 1 61 080 ***My History ***私の歴史 0 64 081 ***My Magic ***私の魔術 0 9 081 ***Why I Adventure ***なぜ私は冒険するのか 0 10 082 *WORLD GAZETTEER *世界地名辞典 0 1 082 **Jrustela **ジルステラ 0 30 082 ***Cities of Jrustela ***ジルステラの都市 0 2 083 ****Arshu Phola ****Arshu Phola 0 9 083 ****Eradinthanos ****Eradinthanos 0 7 083 ****Evrowal ****Evrowal 0 7 083 ****Hathinelthor ****Hathinelthor 0 7 083 ****Hredmorinos ****フレドモリノス 0 6 083 ****Irenstos *****Irenstos 0 7 084 ****Jalanswal ****Jalanswal 0 6 084 ****New Frowal ****新しいフロウォル 0 7 085 ****Orphalsketkal (New Orphalsket) ****Orphalsketkal （新しい[オルファルスク]） 0 7 085 ****Peresk ****Peresk 0 9 085 ****Piskosol ****Piskosol 0 22 086 ****Shenilstos ****Shenilstos 0 8 086 **Seshnela **セシュネラ 0 32 088 ***Arolanit ***アロラニート 0 10 088 **Brithos **ブリソス 0 45 090 **Fronela **フロネラ 0 6 090 ***Loskalm ***ロスカルム 0 19 090 ****Notables ****名士 0 13 090 ***Janube Valley ***ジャニューブ谷 0 15 091 ***Charg ***チャーグ 0 11 091 ***The Golaros Lowlands ***[ゴラーロス]低地 0 6 091 ***Maidstone Mountains ***メイドストーン山脈 0 5 092 ***Rathorela ***[ラソレラ] 0 7 092 ***Tastalor ***Tastalor 0 7 093 **Slontos **スロントス 0 5 093 ***Wenela ***ウェネリア 0 9 094 ***Ramalia ***ラマーリア 0 8 094 ***Maniria ***マニリア 0 12 096 ***Kotorsland ***Kotorsland 0 2 096 **Carmania **カルマニア 0 12 096 ***An Empire in the Making ***発達過程の帝国 0 35 097 ***Brolia ***ブローリア 0 12 097 ***Talastar ***タラスター 0 9 098 **Peloria **ペローリア 0 5 098 ***Dara Happa ***ダラ・ハッパ 0 20 098 ***Darjin ***ダージーン 0 7 099 ***Rinliddi ***リンリディ 0 20 100 ***Kostadi ***コスターディ 0 8 100 ***Sylila ***シリーラ 0 6 101 ***Dorastor ***.ドラストール 1 7 101 ***Balazar ***.バラザール 1 16 101 ***Garsting ***.ガースティング 1 8 101 ***Elder Wilds ***.古き荒野 1 5 102 ***Redlands ***Redlands 0 10 102 **Kethaela **ケタエラ 0 10 102 ***Caladraland, Realm of Volcanoes ***カラドラランド、火山の領域（神界の） 0 8 102 ***Esrolia, Land of Women ***エスロリア、女性たちの土地 0 7 103 ***Hendrikiland ***ヘンドレイキの地 0 9 103 ***God Forgot ***忘神派 0 6 104 ****The Clanking City ****刀鳴りの都 0 8 104 ***Shadow Plateau ***影の高原 0 7 104 **Dragon Pass **ドラゴン・パス 0 35 108 **The Wastelands **大荒野 0 7 108 **Pent **ペント 0 20 109 **Kralorela **クラロレラ 0 11 110 ***Continual Ascendance ***頻繁な支配力 0 7 110 ***Green Contemplation ***緑の熟考 0 8 111 ***Hopeful Centrality ***楽観的な核心 0 9 111 ***Inner Retreat ***内面的な後退 0 8 112 ***Respectful Welcome ***敬意を表する歓迎 0 6 112 ***Truthful Exhalation ***誠実な息の吐き出し 0 11 113 ***Kuchawn, City of Exemption ***免除の[クチャウン]、市 0 8 114 ***Churn Durel, The Kingdom of Ignorance ***撹乳器 Durel 、忘却王国 0 7 114 ***Shan Shan Mountains ***シャン＝シャン山脈 0 10 114 **Verenela **[ヴェレネラ] 0 3 114 ***Teshnos ***テシュノス 0 6 114 ***Trowjang ***トロウジャン 0 6 115 ***Melib ***メリブ 0 5 115 **Vithela (The Eastern Isles) **ヴィゼラ （イースタン島） 0 5 115 ***Hanfarador Islands ***ハンファラドル諸島 0 6 115 ***Arandinni Islands ***アランディニ島 0 6 115 ***Arch-Duchy of Haragala ***[ハラガラ]の首位の公爵領 0 6 115 ***Mokato ***モカトウ 0 18 116 ***Homago ***ホマーゴ 0 6 116 ***Keetslands ***Keetslands 0 6 116 ***Vormain ***ヴォルメイン 0 6 117 **Pamaltela **パマールテラ 0 6 117 ***Fonrit ***フォンリット 0 10 117 ***The Northern Mountains ***北方山脈 0 15 117 ***The Interior ***内部 0 7 118 ***Elf Coasts ***エルフ海岸 0 11 118 ***Umathela, Kingdom of Learning ***ウーマセラ、学習の王国 0 13 118 ****Cities of Umathela ****ウーマセラの都市 0 9 119 **The Oceans **大洋 0 3 119 ***Magasta’s Pool ***マガスタの渦 0 11 119 ***Western Waters ***西の水域 0 2 119 ****Hudaro Ocean ****[フダロ ]海 0 4 119 ****Banthe Sea ****バンザ海 0 5 119 ****Neliomi Sea ****ネレオミ海 0 5 120 ****Vadeli Islands ****ヴェイデル諸島 0 8 120 ****Kereneth Sea ****[ケレネス]海 0 3 120 ****Swermela Sea ****スワーメラ海 0 5 120 ****Keniryan Sea ****[ケニリアの]海 0 4 120 ***Eastern Waters ***東の水域 0 2 120 ****Sshorg Sea ****ショーグ海 0 4 120 ****Teleos ****テレオス 0 10 121 ****Dinisso Sea ****[ディニッソ]海 0 5 121 ****Dashomo Sea ****ダスモ海 0 4 121 ****Kahar Sea ****カハール海 0 5 121 ****Togaro Ocean ****トガロ海 0 6 121 ***The Edges Of the World ***世界の端 0 4 122 ****Altinela, Beyond the Glaciers ****氷河の向こうの、[アルティネラ] 0 7 122 ****Theyala, Land of Dawn ****Theyala 、曙の土地 0 5 122 ****Sakum, the Burning Regions ****Sakum 、白熱した地域 0 7 122 ****Luathela, Land of Sunset ****ルアーセラ、日没の土地 0 9 123 **Otherworldly Realms **.この世ならざる領域 5 0 123 ***The Visible Sky ***目に見える空 0 10 124 ***The Sky World ***.天上界 5 0 124 ***The Realms Below ***.世界の底 10 0 囲み記事 ページ 原語 訳語 済 未 002 ***A Classic Setting, Revisited ***再訪されて、クラシックな環境 0 7 003 ***A Moonless Sky ***.月のない空 13 2 005 ***Currency ***.通貨 6 0 005 ***Gloranthan Metals ***.グローランサの金属 15 1 011 ***Many Worlds, Many Terms ***多くの世界、多くの期 0 17 013 ***The God Learners’ Secret ***神知者の秘密 0 8 014 ***A Quick Note on Pronunciation ***.発音についての走り書き 5 1 015 ***How To Act Like A God Learner ***.神知者らしく振る舞うには 1 14 018 ***Ducal Wars ***公爵の戦争 0 12 019 ***What’s Your Faction? ***あなたの派閥は何ですか？ 0 21 021 ***The Goddess Switch ***女神のすげかえ 0 20 022 ***How Do I Scheme? ***.謀略にたずさわる 13 0 022 ***How Do I Trade? ***商売にたずさわる 7 1 023 ***Who Do I Fight? ***.私は誰と戦うのか？ 1 2 024 ***God Learner Tolerance ***神学習者許容 1 16 027 ***Draconic Powers ***.竜族の力 1 5 029 ***How Do I Scheme? ***.私は何を企むのか？ 1 13 029 ***How Do I Trade? ***.私はどう取引するのか？ 1 1 030 ***Who Do I Fight? ***.私は誰と戦うのか？ 1 6 034 ***Ascended Gods ***神々を登りました 0 11 035 ***How To Play A Kraloreli ***.クラロレラ人を演ずるには 9 8 039 ***Foreign Gods ***異邦の神々 4 14 041 ***Draconised Orlanthi ***ドラゴン的オーランス人 3 36 045 ***Sorcery Schools of the Dawn Age ***曙時代の魔術学校 0 18 047 ***Malkioni Saints ***マルキオンの聖人 0 40 052 ***Pamaltela’s Non-Pamaltelans ***パマールテラの非パマールテラ人 0 20 053 ***The Destroyed Peoples ***破壊された民族 0 22 057 ***Other Pelorian Cultures ***他のペローリア文化 0 16 058 ***How To Play A Yelmite Noble ***イェルムの貴族を演ずるには 0 16 060 ***Other Peoples of Teshnos ***テシュノスの他の民族 0 31 066 ***How To Act Like An Aldryami ***.アルドリアミらしく振る舞うには 1 15 068 ***Dragonewt Existence ***ドラゴニュートの生活 0 41 074 ***Mostali Models ***モスタリモデル 0 14 075 ***Types of Insect Men ***昆虫人の種類 0 28 076 ***How To Act Like A Timinit ***ティミニットのように振る舞うには 0 16 077 ***Attitudes toward other Inhumans ***他の非人間に対する態度 0 26 079 ***Uz Life ***ウズの生活 0 35 086 ***Svalwal, The Shattered City ***Svalwal 、散り散りになった市 0 17 091 ***Sog City ***ソグ・シティ 1 23 098 ***Darjini Clans ***ダージーン氏族 0 9 099 ***Unconquered Lands ***征たれざる国 0 12 104 ***Esvularings ***Esvularings 0 4 104 ***Draconic Agriculture ***竜族の農業 0 24 107 ***The Lordly Forests ***君主の森 0 25 112 ***Dragonewt Colonies ***ドラゴニュートのコロニー 0 14 114 ***Fethlon ***フェトロン 0 15 117 ***The Undiscovered Heresy ***未発見の異端 0 13 120 ***Fate of the Waertagi ***ウェアタグ人の運命 0 15 121 ***Slon ***[スローン] 0 16 123 ***Higher Realms ***専門領域 0 12 テキスト補正 誤植といっていいかどうかわからないので「テキスト補正」としています。 位置 修正前 修正後 備考 p104左段 Castleof Lead Castle of Lead スペースを追加 名前 コメント すべてのコメントを見る
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Market Scenario Market Research Future (MRFR), in its latest report on the global market for construction robots, reveals the likely market scenario in the study period and factors that can control the market across the forecast period 2018–2023. The global Construction Robot MarketSize is likely to rise at 17% CAGR in the forecast period 2018–2023. The construction robot value to touch USD 165 million in the assessment period. Novel coronavirus has Construction Robot Market Size to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The Construction Robot Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. The growing automation trend in the construction industry is expected to underpin the construction robot in the assessment period. The increase in automated construction solution for renovation, commercial construction, and demolition can boost the expansion of the market across the study period. In addition, the increase in safety concern for labours in disorganized and threating work environment is also boosting the adoption of construction robot, which, in turn, can support the market growth in the years ahead. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6305 Competitive Outlook Alpine Sales and Rental (US), CyBe Construction (Netherlands), Cyberdyne (Japan), nLink (Norway), Komatsu (Japan), Husqvarna (Sweden), Brokk AB (Sweden), Esko Bionics (U.S.), TopTec Spezialmaschinen GmbH (Germany), Conjet AB (Sweden), Construction Robotics (U.S.) Autonomous Solutions (US), Fastbrick Robotics (Australia), Apis Cor (Russia), Yingchuang Building Technique Co. (WinSun) (China), MX3D (Netherlands), Giant Hydraulic Tech (China), Advanced Construction Robotics (US), and Beijing Borui Intelligent Control Technology (China) are some reputed dealers of Construction robots as listed by MRFR. Segmentation The segment evaluation of the construction robot market is done by automation, function, vertical, and design type. The design type-based segment of the construction robot are robotic arm, exoskeleton, and traditional robot. The rise in popularity of robotic arm construction robot due to advantages, such as ease of lifting heavy weights and slashing manual labor, can promote the expansion of the market in the years to come. The automation based segments of the construction robot market are semi-autonomous and fully autonomous. The high adoption of automated, followed by semi-autonomous robot can boost the expansion of the construction robot market through the analysis period. The function-based segments of the construction robot market are bricklaying, demolition, concrete structural erection, 3D printing, doors and windows installation, finishing work, and others. Increase in scope of 3D printing can impel the market rise. The vertical based segments of the construction robot market are commercial and residential buildings, public infrastructure, and nuclear dismantling and demolition among others. Other includes road and tunnel construction. Rise in building activates can boost the expansion of the market in the assessment period. Regional Analysis In APAC, the growing awareness about Construction robots and its benefits such as improvement safety, high quality, and rise in productivity can impel the expansion of the regional market through the review period. The availability of different type of construction robots that simplifies tasks in the construction sector can impel the expansion of the APAC market. The rise in the popularity of 3D-printing robots and launch of innovative prototypes can boost the expansion of the construction robot market in the North America. In Europe, the increase in buildings based on 3D models to construct complex design can prompt the regional market growth. In addition, advancements in industrial robotics and the use of implementation on UAV (unmanned aerial vehicles) across the US construction industry can support the expansion of the regional market. The feasibility of UAVs in capturing accurate data for large sites, site surveying, health and safety inspections, and accessing hazardous zones can support the expansion of construction robot market in the North America region. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/construction-robot-market-6305 List of Tables Table1 Global Construction Robot Market By Country, 2020–2027 Table2 North America Construction Robot Market, By Country, 2020–2027 Table3 Europe Construction Robot Market By Country, 2020–2027 Continued… List of Figures FIGURE 1 Global Construction Robot Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of Global Construction Robot Market Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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} rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*